◆ THEME: Kyoto (English language submissions only)◆ DEADLINE: March 31st, 2024 (23:59 JST)◆ GENRE: Short Shorts (unpublished material only)◆ WORD LIMIT: 300 Words (to fit on a single page)◆ FORM: Short poems, character studies, essays, travel tips, whimsy, haiku sequence, haibun, wordplays, dialogue, experimental verse, etc. In short, anything that helps show the spirit of place in a fresh light. A clear connection to Kyoto …Read More
Category: Writing Competition (Page 1 of 5)
From the Judges:“Kimonos can’t speak — not beyond their symbols and designs — or can they? Upon reading this beautiful story, which carries the generous feeling of a ritual, the judges noted that the serenity of both Buddhist temples and silk kimono are parallel. An unusual viewpoint brings to life the story of a young …Read More
From the Judges:“In this piece, the reader is moved through three distinct but complementary scenarios, all quintessentially Kyotoesque: the herons along the Kamo River, the Miyako Odori, and the deep-rooted pleasantries which oil the local social life. The performative aspect of the city is explored in a creative and slightly mystical way. In a sense, this …Read More
From the Judges:“As it is so often with writings set in Kyoto, “Trying to Understand” depicts a journey of inquiry and discovery. Many of us hope our experiences in the city will lead to a deeper and more profound understanding of life. This is something that everyone in a foreign place, looking for answers to …Read More
From the Judges:“Nascent love is the theme of this vignette. In the end we find out where this love took the writer, and the reader can appreciate how the memory is cherished years later in a home away from Japan. Each sense of place blends into the other, creating a whole. Kyoto is a city in …Read More
From the Judges:“This is a masterly collection of artful vignettes concerning food and the relationship between an aging mother and her daughter, which also harmonizes life with nature. An iconic structure provides a loose backdrop for a warm, emotional glimpse at the closest of relationships. A central image is oyakodon (literally “parent and child”) — a rice …Read More
From the Judges:“In this atmospheric piece, the seemingly unseen is made palpable. Evocative prose and supernatural implications draw the reader in, perhaps causing the heart to beat faster. One also gets a hint of Kyoto’s eerie qualities in the snow. Kyoto is, after all, a city of ghost stories. With an air of mystery, “The …Read More
by Stephen Benfy John and Eri had just moved into their new apartment on the edge of town when a sound caught John’s ear. “I’ve never heard that before,” he said. Eri looked up from her phone, smiled, and went back to chatting with a friend. John slipped on his shoes. __________________________________________________________________________________________ The fraying edge …Read More
Greetings from Japan’s ancient capital. Mid-May has arrived, and with it the long-awaited results of this year’s Kyoto Writing Competition. Our judges received submissions from writers throughout the world, and we would like to offer our heartfelt appreciation to all who chose to participate. Above all, we were reminded of how so many feel a …Read More
Calling all Writers! This is a reminder of the March 31st deadline to submit your “short shorts” to our panel of judges for consideration. The Annual Kyoto Writing Competition is one of WiK’s biggest events and attracts a large global readership. An array of exciting prizes (including the prestigious Kyoto City Mayoral Prize) is waiting …Read More
WiK Writing Competition
Eighth Annual Writing Competition Winners (2023)
Previous years:
Seventh Annual Writing Competition Winners (2022)
WiK Anthologies
The Nature of Kyoto (2023)
Eds. Lisa Twaronite Sone & Robert Weis
Foreword by Pico Iyer
Structures of Kyoto (2021)
Eds: Rebecca Otowa & Karen Lee Tawarayama
Foreword by Judith Clancy
Encounters with Kyoto (2019)
Eds: Jann Williams & Ian Josh Yates
Foreword by Juliet Winters Carpenter
Echoes (2017)
Eds: John Dougill, Amy Chavez, & Mark Richardson
Preface by Alex Kerr
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